MINI Porn - Vegas Photo Shoot
#1
#6
What blows me away the most about DiD's photography, and especially this set is knowing that this wasn't shot under fully controlled studio conditions. This could have been inside of a warehouse full of lighting equipment and backgrounds. The quality of the reflections, the shading, all look larger than life of course.
Great job!
Richard
Great job!
Richard
#7
Originally Posted by fj0
Did you use a bedsheet covering the inside of the windshield on the first pic? What lighting have you used?
Originally Posted by OctaneGuy
What blows me away the most about DiD's photography, and especially this set is knowing that this wasn't shot under fully controlled studio conditions. This could have been inside of a warehouse full of lighting equipment and backgrounds. The quality of the reflections, the shading, all look larger than life of course.
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#9
Originally Posted by fj0
Nope as in you didn't cover the inside of the windshield or nope as in you did but not with bedsheets? You're one little hush hush'er arn't you?
The sheet isn't a bad idea though.
Last edited by dave; 05-12-2006 at 11:14 AM.
#11
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#13
Join Date: Jul 2002
Location: Weeblegabber West (aka WLA)
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Originally Posted by LeeL
Man, I really love the first too. In some respects, the car almost looks flat black, but in a good way. You got all the angles perfect so the car still looks shiny, but at the same time doesn't somehow.
#14
#17
05, that's the best way I've heard it yet described... ha
when that graphic first came out (or when he first came across it) my friend, an ad guy, sent it over to me, with a Rip-Off Warning tagline... I remember having this random mental image of these lithe, nude dancer/gymnast/acrobats with nothing on but their Livestrong bracelets...
when that graphic first came out (or when he first came across it) my friend, an ad guy, sent it over to me, with a Rip-Off Warning tagline... I remember having this random mental image of these lithe, nude dancer/gymnast/acrobats with nothing on but their Livestrong bracelets...
#19
Originally Posted by jwardell
But your photos always have spectacular well-thought-out lighting, and it shows. From your last few sets you have me wanting to buy a flash SO bad, if only I could afford one. :( Let alone 3!
Looking back on my gear buying path, I wish I would have started focusing more on lighting and the use of flash sooner. Lenses are great, don't ge me wrong, but working on lighting gives you options that you just don't get with available light.
Originally Posted by MINIclo
That's what I guess I meant by velvety! Very beautiful photography!
I've been thinking of it as a buttery texture (too much wine education gone to my head ).
#21
Originally Posted by DiD
Lenses are great, don't ge me wrong, but working on lighting gives you options that you just don't get with available light.
Okay Dave, you know I'm playing around.
When it comes to lighting a subject, I gotta tip my hat your way. You're getting really good at working with that family of angles, especially with that straight head-on shot. The two light sources merge pleasantly. I like how the feathering emphasizes the bonnet's contours.
Fj0, that first pic is a good example of the family of angles concept. Look closely and you can see the feathering on the windshield/screen. Right there in the middle of the glass. Yup, see how it shades towards the middle? That's a consequence of the lengthier distance between the light sources. But then take a look at the photograph I'm pointing out to Dave. I would gamble that the light sources were spaced closer together over the MINI because the shadows are away from the vehicle, in addition to minimal feathering on the glass.
Of course, I could be just full of hot air.
#25
Originally Posted by TulsaMINI
Great job, Dave! It's another Okie MINI!
Originally Posted by blacknblue
Hey, I like the challenge of available light!
Okay Dave, you know I'm playing around.
Okay Dave, you know I'm playing around.
Originally Posted by blacknblue
When it comes to lighting a subject, I gotta tip my hat your way. You're getting really good at working with that family of angles, especially with that straight head-on shot. The two light sources merge pleasantly. I like how the feathering emphasizes the bonnet's contours.
Originally Posted by cooldaddy
stop drooling all over my car will ya?
Last edited by dave; 05-15-2006 at 09:14 AM.
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